Historical and Literary Fiction / Essays / Poetry / Reviews /Book Cover and Interior Illustrations / Pet Portraits and Other Commissioned Artwork … "Handle a book as a bee does a flower, extract its sweetness but do not damage it.” ~ John Muir, naturalist, author, 1838 – 1914
There came a day at summer’s full Entirely for me; I thought that such were for the saints Where revelations be. ~ Emily Dickinson
Sunflowers: Copyright 2014 by my mom, JM DiGiacomo
My summer has begun
Softly, quietly; under a few clouds
that won’t block the sunshine.
A lonesome beginning,
just as I like it,
in order to feel glad for myself and
honor the ways of those
who don’t look for company
except as it finds them
through the touch of a breeze
or face of a flower
or sigh of a raindrop
or trust of a sparrow;
with nothing to yield for
but the freedom to reach
and wither
and grow all over again.
~ DM Denton
Earth, Teach Me
Earth teach me quiet ~ as the grasses are still with new light. Earth teach me suffering ~ as old stones suffer with memory. Earth teach me humility ~ as blossoms are humble with beginning. Earth teach me caring ~ as mothers nurture their young. Earth teach me courage ~ as the tree that stands alone. Earth teach me limitation ~ as the ant that crawls on the ground. Earth teach me freedom ~ as the eagle that soars in the sky. Earth teach me acceptance ~ as the leaves that die each fall. Earth teach me renewal ~ as the seed that rises in the spring. Earth teach me to forget myself ~ as melted snow forgets its life. Earth teach me to remember kindness ~ as dry fields weep with rain.
– An Ute Prayer (Utes are indigenous people of the Great Basin, now living primarily in Utah and Colorado, USA)
Do you have A Friendship with Flowers? Available in Kindle and Print Editions Click on “Look Inside”
Love flowers? This book was originally created by hand in a small journal while I was living in Oxfordshire, England (most of the flowers included are found in the US, too). I am so pleased that I have been able to preserve it to share with a wider audience. It was done with gratefulness for the flowers that graced and healed me with their beauty, wisdom, and playfulness.
Diane Denton’s skill with visual and literary expression gives me pause. To have introduced such beautiful “friends” to her readers is a gift to be long cherished. Denton’s skill with words and with illustrations not only provide delight to her in the producing of such, but provides us as readers the joy of her discoveries through sight and words. These flowers actually sing to us, in their pleasure of being in good company with their companions of the soil. And so it is with joy I keep this publication available to read and gaze upon over and over again.
~ Jean Rodenbough, author of Rachel’s Children, Surviving the Second World War and Bebe and Friends, Tails of Rescue
Blessings on this Summer Solstice and Winter Solstice, for those in the southern hemisphere
Those who have read my two novels (A House Near Luccoli and To A Strange Somewhere Fled) know how integral music is to their language, stories, rhythm, sensibilities and characters. My third historical fiction, which is nearing completion, focuses on another area of the arts: writing. However, I couldn’t avoid, nor did I want to, the importance of music in the life of its main protagonist, Anne Brontë, youngest sister of Charlotte and Emily.
My vision for Without the Veil Between was to explore and expand the “asides” of Anne’s life in and out of the context of the more familiar Brontë narrative: one being her love of music.
At an early age, along with her siblings, she was taken by her father to concerts performed by the Haworth Operatic Society and in nearby Keighley. In the mid-1830s Reverend Brontë surprised his children by purchasing an upright cabinet piano made by John Green of Soho Square, London.
Piano in Patrick Bronte’s study in Haworth Parsonage
Their father arranged for them to have a few lessons at the parsonage, but mostly they were self-taught. Emily, whom Anne was extremely close to, is said to have been the most accomplished pianist in the family. Charlotte’s friend (and to them all) Ellen Nussey wrote of Emily playing “with brilliance and precision.”
“Come on.” Emily dropped the shoes she had seemed so desperate to find and, not allowing Anne to put on hers, pulled her sister out of the rocking chair.
“What?”
“It’s time for Mendelsohn.”
“On the piano? It’s almost eleven.”
“Who’s to mind?”
With their father and Charlotte away, Emily couldn’t be stopped from opening the windows in almost every room and occupying herself on the cottage piano in the Reverend’s study any time she pleased. Yet Anne, who rarely went out of the house without Emily and then only into the front garden or the church to refresh the flowers by the pulpit, hadn’t heard Emily playing, not even the music Anne had given her for her birthday.
Anne also played, as Ellen Nussey claimed, preferring “soft melodies and vocal music. She sang a little; her voice was weak, but very sweet in tone.” As a governess, Anne gave music and singing lessons, purchasing much of the music herself. At home, in June 1843, on a brief holiday from her position at Thorpe Green, she began copying her favorite music into a blank notebook she had probably purchased on a visit to York with her employers, the Robinsons, spending a fairly substantial sum in relation to her earnings.
Anne’s brother, Branwell, also had musical ability and played the organ from time to time for services in the Haworth Parish church. Unfortunately, none of his talents, including writing and painting, could override his self-pitying, self-destructive personality, which spiraled him into deadly addictions to drink and drugs.
(William’s) arm around her brother’s shoulder assured Branwell that his return to the organ wasn’t spoiled by him losing his place in the processional hymn All Praise to Our Redeeming Lord and struggling with uncertain pedaling and clumsy fingering in Love Divine, All Loves Excelling.
I try not to project myself into any historical person I write about, hoping to understand and interpret him/her as objectively and historically accurate as possible. However, fiction (and even biographies) beg some subjectivity in order to go deeper than the facts and explore, for example, his/her motivations, hesitations, impulses and emotions. Although I chose to write about Anne, I never expected to feel such affinity with her on so many levels (actually, the more I researched and wrote on this novel that, of course, has among its cast of characters Charlotte and Emily, the more I connected to each of the Brontë sisters, but that is a post for another time).
One of the ways I related to Anne was in how her creative talents affected her life as she developed as a writer. Writing became her work, her vocation: she knew it was her most significant means of expression if not her easiest. It involved much of her time, and, also, her mental, emotional and even physical energy, didn’t come easy, was often frustrating and misunderstood. She had to do it, no matter the trials it put her through, and it seems there were times, especially in the composing of her second novel, The Tenant of Wildfell Hall, that she was nearly buried in it.
As her sister Charlotte wrote in a letter: ‘I would fain hope that (Anne’s) health is a little stronger than it was – and her spirits a little better, but she leads much too sedentary a life, and is continually sitting stooping either over a book or over her desk – it is with difficulty one can prevail on her to take a walk or induce her to converse.’
In contrast music and art and Anne’s bond to nature were truly enjoyment, allowing her times when she could look up from her weighty sense of purpose and view a lighter, more leisurely way of being.
Anne Bronte’s unfinished portrait of her dog, Flossy
Certainly, in difficult times, such as her years as governess at Blake Hall and then Thorpe Green, including Branwell’s disastrous stint as tutor at the latter location, music was a relaxing and pleasant pastime that interrupted Anne’s struggles with her health, duties, and worry and embarrassment over her brother’s behavior.
Like at the Spa in Scarborough, during one of her summer holidays there with her employers, the Robinson’s …
Or during an impulsive trip to London with Charlotte, which as unexpectedly found her at the opera in Covent Garden …
Enjoy yourself. Don’t worry about critics or how you must answer them, or Papa or Emily or Branwell … or anything to disturb the wonder of this unexpected adventure …
She didn’t think Mr. Williams, as he glanced at her, was reading her thoughts but, instead, wanted to witness her enthusiastic participation in the custom of applauding for the conductor as he quickly stepped into the pit, took his place and a bow, and turned to prompt the orchestra’s tuning up.
There was some movement behind the curtain, the footlights seeming to burn brighter as Anne’s attention focused on the stage. “This is beyond my dreams. Beyond what I deserve.” She lifted her hands to her cheeks, afraid they were flushed, as Mr. Williams might assume, with pleasure and embarrassment, but, as couldn’t be helped, really just the warmth and closeness of the theater.
“Oh, Miss Brontë, you’re more than worthy to be here.” Mr. Williams was prompted by Anne’s admission to make one of his own. “I think you’re a perfect companion for attending the opera, for I suspect you understand how music—”
Which brings me to Anne’s Music on Christmas Morning, which was included in the poetry anthology she and her sisters published in the spring of 1846. It reflects Anne’s piety and love of music, words and nature, using all to paint a lyrically poignant bridge between heaven and earth.
Whether you read this post and Anne’s poem on the morning it was written in honor of, or at any other time, I want to offer my heartfelt appreciation for your visit to my little space in the universe along with wishes for many blessings to be yours in this season however you mark it.
Peace and Love
Please note that the excerpts I offered from my in progress Without the Veil Between, are from its first draft.
“If we could see the miracle of a single flower clearly our whole life would change.”
~ Buddha
Partially, a re-post – I just had to snap this photograph of the proud Day Lilies in my little St. Francis garden, and, of course, once again display the lovely painting just below by my mom, June.
“If the only prayer you say in your life is ‘thank you,’
that would suffice.” ~ Meister Eckhart
Copyright by JM DiGiacomo 2014
Once again
she touched the emptiness with
a stroke of genius, had
a brush with color, used
her sense of shape and style, portrayed
her imagination with
simplicity and sophistication, and
found her purpose in doing
what she loved
for the sake of being
lost
in everything
she was meant to be.
My mom, June, rarely draws or paints now. At 85 she has reduced mobility and arthritis in her back and hands, but she was determined to create Thanksgiving cards for some family members.
I just had to share the beautiful result of her perseverance: a gift she has given me that I must pass on.
“It is never too late to be what you might have been.” ~ George Eliot
“Do not grow old, no matter how long you live. Never cease to stand like curious children before the Great Mystery into which we were born.” ~ Albert Einstein
If you like my mom’s work, please glance over to the right hand sidebar and towards the top of this blog where there is a link to a 2015 Calendar, Of Two Artists, which features her art and mine – now available at lulu.com.
To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly. ~ Henri Bergson (1859-1941) French philosopher
I’ve been thinking about writing this post for some time. It’s about this blog. It’s not that I want or intend to give it up. Or that I don’t appreciate those who continue to visit here often or once in a while. Each one who enjoys, is inspired and encouraged by something I write, draw or paint is a valued connection and blessing, and as much, if not more, of an inspiration and encouragement to me.
I just can’t keep up with offering the kind of content – poetry and short prose with original artwork – as often as I did in my first years of blogging.
Now I have one novel published and another under contract to be, I want to concentrate on my fiction writing more than ever. This involves a lot of research and isolation and assimilation time without too many distractions. I also have a project involving prose and poetry and illustrations that, for many years, I’ve wanted to do.
Besides all that, I have family and home responsibilities and a few more years yet of needing to work the day job. As I’m into my sixth decade, my energy—physical, creative, mental, spiritual and emotional—must be rationed, and I need to limit some things in order to achieve others. As many of you know, creative endeavors can take quite a lot out of the creator. To begin with, I’ve always been a low-energy person and, also, a perfectionist—that is to say, I always give everything I do, no matter how ‘large’ or ‘small’, 100%. I rarely do something quickly just to get it done.
I’m not yet sure what direction this blog will take. It will still be a go-to place for information about my publications and the reviews I do for others. Perhaps, sometimes, I’ll write about the research I’m doing. I’ve been thinking about setting up a page about doing pet portraits. And, I’m sure, there will be flashes of poetry or prose-poetry from time to time.
I do think I’ll be limiting my posts to one or two a month in order to create content worth sharing. I hope my followers, old and new, will continue to find something for their minds, hearts and souls in whatever I offer.
I won’t stop writing and otherwise creating, as well as appreciating the always impressive and enlightening work of others.
Blessings to all.
I know nothing with any certainty, but the sight of the stars makes me dream.
~ Vincent van Gogh
The snow has come early, silently covering leaves never raked but left to nourish or suffocate the ground on which the future stands.
Deeper and deeper, it’s all hidden for now.
This season for gathering is not crowded here in the quiet company of snow.
Looking back to the place called home, candles are lit to welcome without letting in. Although the passing of possibilities might, at least, enter dreams in the night.
Photograph & Painting Copyrighted by DM Denton 2013
The light comes up and notices a Cardinal heart-red against the idea that winter is colorless – also challenged by berries clinging to the bareness of branches.
Copyright 2013 by DM Denton
‘Tis the season for standing still. All growing needs a rest.
The rain is falling now, warm and then icy, washing away the cleanliness of snow, which is already missed. I hear it will return before too long.
Nature has decided some trees have stood long enough. They will be missed, but have been cleared away for a new outlook.
This is winter before it is Christmas. This is hope after it has given up.
©Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.
