A Word or Two about the Cover of Without the Veil Between – Win a Signed Copy and More!

The nature of my work is my subjectivity meshed with other people’s subjectivity. So there’s a correspondence with that… Even if you write about me, it will reflect on you; everything is a kind of weird collaboration.
~ Tino Sehgal, artist of German and Indian descent, based in Berlin

Recently my new novel about the youngest Brontë sister, Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit, was reviewed by the Historical Novel Society. All in all the reviewer was positive about the novel. However, the very last sentence offered a blow I couldn’t help taking as personally as if the writing itself had been criticized:

This novel about Anne, the youngest and least-known of the Brontë sisters, deals sensitively with the trials of a young woman who struggled through a difficult life. It reveals Anne as a combination of poetess in the style appropriate for an English lady and as an early feminist writer keenly aware of her submissive role as a young lady in Victorian society.

Anne’s poems are lyrical, illustrative of the depth of her feelings. As befits the daughter of an Anglican clergyman, they also demonstrate her belief in the closeness of God. Yet Anne Brontë is known as one whose beliefs about the role of women in many ways formed the basis of the later feminist movements.

This book illustrates the life of Anne the sister and daughter. It reveals her despairing affection for her brother Branwell, with his Byronic good looks and gradual descent into alcoholism. Her sisters, too, are well characterized—Charlotte, the eldest, practical, bossy and dismissive of Anne’s talent as a writer; and the warm-hearted Emily.

Anne’s adult life is shown as she progresses from unhappy governess—a role appropriate but unsuited to her—to published poet and novelist. Her two novels Agnes Grey and The Tenant of Wildfell Hall are less well known than her sisters’ novels but demonstrate no less talent and insight.

Denton has clearly researched Anne Brontë’s writing in all forms. The quoted poetry and prose in the end notes add depth to the whole. The scenes of Anne and her sisters are sensitively imagined and show a sisterly mix of affection and irritation. Despite the overly lengthy title and the unattractive cover art, it is worthwhile to open the book to discover more about Anne, the least appreciated of the Brontë sisters.
~ Valerie Adolph through the Historical Novel Society

Somehow, as we have examples every day, the negative can have so much more power than the positive over our thoughts and feelings and even actions, if we let it.

Making known on Facebook my own attachment to the part-of-a-sentence negativity in the review prompted many supportive comments, including this one:

Diane, even though I haven’t yet read your book, I think your art work is very pretty and intriguing. I love that you did it yourself as part of your total response to Anne. I would pick up your book *because* of the art, expecting to find an equally sensitive and original response in your words.
~ Rachel Sutcliffe, Rachel: SCARBOROUGH, BRONTES, TEACHING, HEALTH, BUSINESS, ALL THAT IS UNSEEN AND THE ODD POEM (Please go to Rachel’s blog for her recent and excellent post entitled SUNRISE OVER THE SEA, ANNE BRONTE, 1839, reflecting on Anne Brontë’s drawing that inspired the opening lines, the ending, and much in-between in Without the Veil Between)

Of course, Rachel’s kind comment helped me to feel better, but, more importantly, she perceptively noted my motivation and intention in doing the art and design for my book covers. It is about my “total response” to the subject I have written about – inside and out. I am blessed that Deb Harris – whose opinion I trust implicitly – at All Things That Matter Press allowed me to participate in the book’s presentation.

The response of the Historical Novel Society reviewer to the cover of Without the Veil Between might be an indication that it isn’t a good idea for me to use my own artwork. No matter. I plan on continuing to risk offering the fullness of my vision for the stories I chose to tell, the characters I am drawn to uncover, the places and times I find myself exploring, the hearts, souls and minds I spend such a large part of my life with.

I have decided to deal with any residue of upset regarding the comment on the cover of Without the Veil Between, by having some fun and turning it into a contest for a free signed copy of the novel along with a limited edition signed print of one of the illustrations included in it.

Click on the image below or here
for a fuller view of the illustrations
the winner will be able to chose from.

All you have to do to enter is leave a word or two
(no more than a sentence)
that expresses your reaction to the cover
of Without the Veil Between.

I’m not going to prompt you further, except to quote Henri Matisse:

Creativity takes courage

The contest for a free signed copy and illustration print is open to anyone in the US or overseas who comments on this post and the cover of Without the Veil Between.

At this point, the deadline for entry is May 31, 2018.

 

Please don’t hesitate to enter!
(even if you already have a copy:
you could keep the signed one for yourself
and give the other as gift)

I look forward to your responses.

Good luck!

 

©Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.

Be our Guest

I’m a guest at two separate sites in the blogosphere this week.

 

Illustration for Kindle Short Story: The Library Next Door

Illustration for Kindle Short Story: The Library Next Door

 

First is an interview I did with Marina Julia Neary, “America’s most Irish author to come out of Eastern Europe”. Certainly, and not surprisingly, her questions were out-of-the box and challenged me, so this interview is quite different from any I’ve done before. Here are Marina’s five questions:

What appeals to me about your work is your determination to draw attention to forgotten figures from the past. In his day, Alessandro Stradella, the heartthrob of your debut novel A House Near Luccoli, used to be something of a rock star in his day, a star that got prematurely extinguished.  How many people outside of the classical music circle know about him?

Let’s talk about the Anglo-Italian connections.  The English have always been fascinated by Italy.  Forester had set several of his novels in Italy – A Room with a View and Where Angels Fear to Tread. In your second novel, To a Strange Somewhere Fled, you actually have an Italian protagonist going to England.  On the surface it seems like the two cultures are diametrically opposite. When you think of England, you think of bland colorless boiled food and vitamin D deprived people.

Your maternal grandmother was a concert pianist in Chicago during the 1920s. What an exciting era to be in the performing arts, especially in a city like Chicago! Tell me a little bit about her repertoire. 1920s was a very turbulent time all over the world. Did the external environment affect your grandmother’s performance style?  

I am feeling uneasy about asking this question, but how much of yourself is there in Donatella?  I’m not implying that she is 100% autobiographical, but she is so well-rounded and so meticulously crafted, I sense she is your psychological child.  Perhaps, she’s not your spiritual twin, but rather a literary child.

You have a gift for illustration.  In fact, you’ve illustrated some of your own literary works.  Tell me how your brain processes the multi-media.  Do you envision an image first, and then describe it with words, or do you start off with words and then translate them into images?

To read my answers to the above
– I hope you do! –
CLICK HERE

CT Commie Tiger Blog Image-page0001 (2) resized

Also, this week and weekend I’m being hosted at Unusual Historicals: “a handful of historical authors (who) brave the wilds of unusual settings and times to create distinctive, exciting novels just outside of the mainstream.”

Here is a chance to win a copy of To A Strange Somewhere Fled.


To enter to win, you MUST comment
and leave your email address
on my ‘Excerpt Thursday’ post at Unusual Historicals
OR
on my interview this coming Sunday 6/21 at Unusual Historicals


Commenting on this bardessdmdenton post will not make you eligible,
BUT, of course, your thoughts are very welcome here
(in fact I’m feeling comment deprived of late)
 

For Except Thursday, featuring an excerpt from Chapter Three of To A Strange Somewhere Fled.

On Sunday, more details about the story behind the story will be offered in an interview.  Here are the questions I will be answering:

How would you describe your writing style?

Who designed the covers of your books?

Is there an underrepresented group or idea that is featured in your books?

How do you approach developing the world of a historical novel fully in your mind?

Did your research for both or either of your novels yield any surprises in terms of historical events or illuminate a character in a particular way?

Why did you decide to write a sequel to A House Near Luccoli, why did you set it in England, and does To A Strange Somewhere Fled end the ‘series’?

What writing projects are you presently working on?

Unusual Historicals Blog Image resized

 

Thank you to all who visit here

and support my efforts

at writing and illustrating!

 

 

Copyright 2015 by DM Denton & JM DiGiacomo

Copyright 2015 by DM Denton & JM DiGiacomo