Emily Bronte
Farewell to thee! but not farewell
Farewell
by Anne Brontë
Farewell to thee! but not farewell
To all my fondest thoughts of thee:
Within my heart they still shall dwell;
And they shall cheer and comfort me.
O, beautiful, and full of grace!
If thou hadst never met mine eye,
I had not dreamed a living face
Could fancied charms so far outvie.
If I may ne’er behold again
That form and face so dear to me,
Nor hear thy voice, still would I fain
Preserve, for aye, their memory.
That voice, the magic of whose tone
Can wake an echo in my breast,
Creating feelings that, alone,
Can make my tranced spirit blest.
That laughing eye, whose sunny beam
My memory would not cherish less; —
And oh, that smile! whose joyous gleam
Nor mortal language can express.
Adieu, but let me cherish, still,
The hope with which I cannot part.
Contempt may wound, and coldness chill,
But still it lingers in my heart.
And who can tell but Heaven, at last,
May answer all my thousand prayers,
And bid the future pay the past
With joy for anguish, smiles for tears?
Illustration by DM Denton from Without the Veil Between,Anne Bronte: A Fine and Subtle Spirit
December 19, 1848 was a tragic day at the Brontë Parsonage, Haworth, West Yorkshire, England, for Anne, Charlotte, and their father, Patrick.
Illustration by DM Denton from Without the Veil Between, Anne Bronte: A Fine and Subtle Spirit
Only a few months after brother Branwell passed from their lives, beloved sister Emily followed him. One can only imagine the grief of losing two siblings and children so soon one after the other – not the first time this had happened for the Brontë family and not made easier by being just before Christmas, a time when they usually found themselves come together again after being away from home.
I wrote about the closeness (“like twins … inseparable companions, and in the very closest sympathy, which never had any interruption” ~ Ellen Nussey) of Anne and Emily Brontë in a previous post: The Very Closest Sympathy.
Writing the scenes of Emily’s death in my novel Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit happened to correspond to a time in 2017 when I was grieving the loss of my beloved Gabey-kitty (his brother Darcy passed a few months later).
‘When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which yet we cannot, or will not wholly crush, we often naturally seek relief in poetry . . .’
~ Anne Brontë, Agnes Grey
Or, in my case, prose …
“‘Powerful’. ‘Interesting’. ‘Coarse’. ‘Brutal’. ‘Morbid’. Do we write with any such adjectives in mind?” Anne had been reading through the reviews of Tenant she had collected, portions aloud to Emily, especially those that might stir any fight left in her. “Or go through the tormenting process of writing a novel for ‘reveling in scenes of debauchery’?”
Emily was quiet lying sideways on the sofa in the parlor. Since Anne had repositioned the pillow borrowed from one or other of their beds, Emily’s head had slipped to bow against her frail neck. Her torso was curled so her length was contracted, no definition to her arms or bosom within the sleeves and bodice of her dress, no movement under its skirt since Anne had lifted her sister’s skeletal legs up more than an hour before.
Anne wondered if Emily was still pulled by the brutishness and beauty of the moors and the similar punishment and reward of writing. Did a look out a window or opening of a door remind her of what she was missing, and new Gondal rascals or Heathcliffs or Catherines find her imagination receptive? Anne longed for one more conversation with her, whether playful or intense, one more chance to agree, argue and confirm they were good for each other’s inspiration, intellects and souls. Anne ached for one more meeting with the Emily who was wiry but robust, strong like a man and simple like a child, her head full of logic and fantastic stories at the same time, her choices uncompromising, as were her passions. If only Emily’s life could return to being routine and yet so exceptional, filled with writing brilliantly while she was bread making or sewing or everyone else was asleep, making music like a perfect lady and rambling the Pennine way like a free and easy lad.
Instead, Anne had to helplessly watch as Emily continued to disappear through those December days and nights. On that Monday evening, a week before Christmas, her stillness, half-open eyes and mouth, and leaning towards resignation indicated there was only one way she would be released from consumption’s captivity.
~ from Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit
Anne and Emily from a painting by their brother, Branwell
I know that ghosts have wandered on earth. Be with me always—take any form—drive me mad!
~ from Wuthering Heights, by Emily Brontë
©Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.
The Bluebell Project (continued): In Which We End Where We Began
A few months ago my Anne Brontë bluebell path crossed with the talented composer and guitarist Charlie Rauh, who so generously allowed me to use a track from his soon-to-be released album inspired by the poetry of Anne and Emily Brontë on my book trailer for Without the Veil Between, Anne Brontë A Fine and Subtle Spirit.
Charlie’s equally talented sister Christina Rauh Fishburne adds her own creative and personal touch to this day when The Bluebell becomes available for pre-order.
Be amongst the first 30 to pre-order and receive a very special gift!
“We flatter ourselves that we know things about Emily and Anne because we’ve read their books and poems and letters and these diary papers never meant for us, but whatever we know can’t ever be in the right context.
“The representation of the sixth Diary Paper is Charles’s album, The Bluebell.
“Charlie Rauh’s album, The Bluebell, along with 30 sets of The Diary Papers Box, is available for preorder from Destiny Records HERE
“Why are you crushing those flowers?”
“I’m not crushing them–I’m pressing them. To try and preserve them.”
“Oh.” (the “whatever, Mom” was implied)
“They’re bluebells! Like Uncle Charlie’s album named after the Brontes’ poems! Remember the four kids who had great imaginations like you guys and wrote–”
“Can I play Minecraft now? I ate lunch.”
(gritting teeth) “Fine.”
“…and they’re actually purple.”
“I know. But they’re called bluebells. See! They look like little bells!”
“Ok.”
Before the “DANGER DO NOT ENTER” sign warning of falling trees went up in the little woods, I’d go for walks alone. We’d go as a family sometimes. I’d take the kids after online-school destroyed us enough for the day. Sometimes we’d hear the train, but most of the time it was just birds. And leaves. And our own poetic feet on the dirt. One evening I went out after dinner because I was…
View original post 1,651 more words
Book Trailer for Without the Veil Between – Updated with music by guitarist-composer Charlie Rauh
I’m excited to share my new collaboration with guitarist-composer Charlie Rauh!
Even if you’ve watched my book trailer for Without the Veil Between before, I invite you to have another look (it has been revamped) … and listen! Charlie’s lovely lullaby, inspired by Anne Brontë’s poem The Bluebell, which he performs so skillfully and sensitively, now accompanies it.
A line from that poem is the subtitle for
Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit.
A fine and subtle spirit dwells
In every little flower,
Each one its own sweet feeling breathes
With more or less of power.
From The Bluebell by Anne Brontë
I’m thrilled that Charlie and his record label, Destiny Records, agreed to this sharing of our affection and admiration for Anne Brontë and this particular poem of hers.
Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit, Music by Charlie Rauh from Diane M Denton on Vimeo.
Music
Used with the permission of Charlie Rauh and Destiny Records.
The Bluebell (Anne) by Charlie Rauh from his upcoming album The Bluebell, featuring lullabies Charlie composed, inspired by the poetry of Anne and Emily Brontë.
The Bluebell cover artwork by Lena Laub
Instagram @lena.laub
Available from Destiny Records for pre-order in July 2020, to be released in August 2020.
https://destinyrecords.bandcamp.com/album/the-bluebell
(this link will be updated nearer pre-order date).
Visit http://charlierauh.com
and upcoming releases page of Destiny Records
to learn more!
©Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.
A Valentine for Anne
Before she closed her eyes on that day she would be tempted to hold and look at one of her most treasured possessions: a Valentine, a pretty thing of lace paper, satin ribbon, & embossed flowers with a little bird in an egg-filled nest, Anne, dear, sweet, Anne quickly written but not yet slowly spoken.
It was unto her spirit given.
~ from Without the Veil Between, Anne Brontë: A Fine & Subtle Spirit
In February 1840, a young man walked ten miles from Haworth to Bradford, West Yorkshire in order to anonymously post Valentines to four young women who he expected would be charmed by them. The flirtatious fellow was William Weightman, curate to Reverend Patrick Brontë.
Was William being capricious or compassionate or, perhaps, a bit of both? Sisters Charlotte, Emily, and Anne and their dear friend Ellen had never received a Valentine before. They may have been fooled by the sender’s motivation, but not by his identity. Charlotte probably told herself to view her Valentine cynically. Emily likely looked hers over quickly and put it aside. Possibly, Ellen enjoyed hers for vanity’s sake.
Anne might have hoped for a deeper meaning in hers, that sending four was William being discreet and inclusive, which, of course, her shy and generous nature would appreciate.
William wrote different verses in each. Well, three are known. The receiver of Fair Ellen, Fair Ellen is obvious. Away fond love and Soul divine could have been inscribed – to tease rather than ensnare – any of the Brontë sisters.
And that fourth Valentine? I like to think it was the most special, because it was …
Was William Weightman the love of Anne’s life? Who better than Anne herself to answer … in the way that beautiful poetry tells without saying.
That voice, the magic of whose tone
Can wake an echo in my breast,
Creating feelings that, alone,
Can make my tranced spirit blest.
That laughing eye, whose sunny beam
My memory would not cherish less; —
And oh, that smile! whose joyous gleam
Nor mortal language can express.
~ from Farewell by Anne Brontë
What had been hope at first sight, a stir of her heart, amiable reserve, foolish diffidence, a February keepsake, time standing still and looking forward with a gentle exchange of words and glances in a trusted parting, was, in a moment … all that was left of William, her William, never hers except as she imagined, always hers as she would forever know him.
~ from Without the Veil Between, Anne Brontë: A Fine & Subtle Spirit
Anne Brontë is 200!
If she were more perfect, she would be less interesting
Finally
it’s Anne’s own Brontë200:
Today is the 200th Anniversary
of Anne Brontë’s birth, January 17, 1820!
A very special day as
she is subject of my novel …
Above all, through the well-measured words of Denton, a young Anne emerges more and more. She frees from the web of religiosity with which she traditionally is painted, [and] tries to leave something good in the world through her measured but deliberately targeted writing. A different Anne at the beginning of the book, timidly in love; then resigned to accept her own death with dignity and fortitude. A meaningful homage to the memory of Anne Brontë.
~ Maddalena De Leo, Italian Representative of The Bronte Society
STC98097 Portrait of Anne Bronte (1820-49) from a drawing in the possession of the Rev. A. B. Nicholls, engraved by Walker and Boutall (engraving) by Bronte, Charlotte (1816-55) (after)
engraving
Private Collection
The Stapleton Collection
English, out of copyright
Thanks to her dear sister Emily, who is reported to have been a wonderful baker, Anne celebrates her birthday in Chapter Nine of Without the Veil Between.
It was years since Anne was home on her birthday. Emily baked an oatmeal and treacle cake a couple of days ahead of the teatime designated for its consumption to soften it in a tin.
“I’ll allow no one to refuse a piece of Annie’s parkin.” Emily, unusually, looked very pleased with herself. “I mean to give my bet’r sen some happy thoughts.” She even sang some lines from an old ballad supposedly from the time of Robin Hood. “‘Now the guests well satisfied, the fragments were laid on one side when Arthur, to make hearts merry, brought ales and parkins and perry.’”
“‘When Timothy Twig stept in, with his pipe and a pipkin of gin,’” Branwell followed on singing.
“Always the spoiler.” Emily didn’t look at him.
“Well, part of a song doesn’t tell the whole story.”
Anne briefly escaped their argument to take a piece of cake out to Tabby in the back kitchen. Easily wearied and hard-of-hearing, the old servant was trying to nap in a straight-backed chair positioned in the draft from the back door.
“Where’s your shawl?” Almost as soon as she wondered, Anne found it draped over the handle of a broom leaning against a wall.
“Eh? What yer fuss?”
Anne gently laid the loosely-knit shawl around Tabby’s shoulders and gave her the plate of cake.
“Dear angel-lass.”
Later, as the sisters spent a final parlor-cozy evening before Anne returned to Thorpe Green, Branwell off to take advantage of his last chance for a while to “stept in” at the Black Bull, even Charlotte admitted the liability he presented to their progress.
“The way it’s going with him, it’s better our school scheme comes to nothing. No doubt he’ll soon be home again, unemployable, even less able to provide decent company. Certainly not an example of manhood young girls should witness.”
Anne never told Charlotte as much as she did Emily, but there was no way to prevent the disturbance of her and Branwell returning home for the holidays together but estranged. As soon as they arrived, Anne fled the hours of traveling with him as though nothing ever disgusted her more. Over the weeks Branwell tried to converse with her beyond yes and no and maybe. Normally, her forbearing nature wouldn’t allow her to slight anyone, but with agitated busyness she dismissed him—to comb Flossy or clean Dick’s cage or help in the kitchen, which she rarely did, or beg Charlotte to let her read to their father who didn’t know of his son’s latest sin but might notice his guilt, so Branwell kept out of his way.
For a while Anne was as cowardly avoiding her brother, even if it meant staying in her room when he was in the house.
She wasn’t proud of her behavior. Gradually she felt more ashamed of her own choices and failings than Branwell’s, blaming her intransigence and righteousness for her failure to persuade him to stand stronger against temptation. Love was what she was made for, understanding, forgiveness and faith at the heart of her, good memories soothing the bad. Flashes of the gentle brother with his little sister on his knee, proving his talent for telling stories too entertaining to question and drawing pretty pictures he inscribed for Anne, tempted her to once more hope he might yet chose rationale and, especially, what was right, over ruin.
“Let’s expect he’ll be better and do better.” It was as if Emily had read Anne’s thoughts. “Speak no more of it tonight. Are you still working on the same poem, Annie?”
“Still wrangling with it. You know how it is, thinking it might be better with a different word or different order of words, more metaphors or less. That it might benefit from leaving some sentiments out altogether.”
“I hope it isn’t gloomy.” Charlotte was sitting across the parlor table from Anne, the paper she was fingering easily in view as the beginnings of a letter in French.
Emily’s lounging took on the look of someone double-jointed with her right leg slid off the sofa and her left one lifted and bent, its stockinged foot pressed against the back of the couch. She made a feeble effort of controlling her skirt for modesty’s sake. “It’s rather pleading.”
“Entreating,” Anne corrected as she knew Emily would appreciate.
Emily winked. “If you say so.”
“Let’s hear it entreat then,” Charlotte challenged.
Anne didn’t want to read the poem out loud and spoil the evening with dread of what she was going back to the next day. For a moment, she considered sharing a little of Passages instead, an excerpt that was well-worked and entertaining. Sensing her sister’s impatience, she stood with one of her journals, opening it to its middle and flipping a few pages further. With a slow, almost tiptoeing stride, she recited as she moved around the table, because of the limited space brushing Charlotte’s back with each passing by.
“‘God. If this indeed be all that Life can show to me; if on my aching brow may fall no freshening dew from Thee; if no brighter light than this the lamp of hope may glow, and I may only dream of bliss and wake to weary woe—’”
Emily sighed as dramatically as she never naturally did.
“You always cheer us so.”
“I’m sorry, Charlotte. I won’t continue.” Anne had reached her chair after a second circling.
“No, go on. The writing itself is lovely.”
“‘If friendship’s solace must decay, when other joys are gone, and love must keep so far away—’”
“Enough.” Charlotte groaned.
“Not for me.” Emily threw her head back and closed her eyes.
Anne continued, realizing the poem was quite good and nearly as she intended. However, she hesitated when she reached the fourth verse, mustering up the courage to take a risk.
“Vice and sin?” Emily echoed. “Nothing to do with anyone we know, of course.”
“That’s it for now. I have yet to perfect the rest of it.”
Illustration by DM Denton from “Without the Veil Between”
I wished to tell the truth, for truth always conveys its own moral to those who are able to receive it.
~ Anne Brontë, from her introduction to the second edition of The Tenant of Wildfell Hall
I allow she has small claims to perfection; but then, I maintain that, if she were more perfect, she would be less interesting.
~ Anne Brontë, The Tenant of Wildfell Hall
Happy Birthday, Anne Brontë
and
thank you
for taking me on
an extraordinary and transformational
writing experience!
This is the most beautiful novel about Anne Brontë and her sisters that I’ve read in a very long time. I couldn’t put it down once I’d started. I fell into the author’s languid writing style and was captivated by her research and depth of scope of the life of the sisters. The novel is beautifully illustrated by the author herself. It is a book to be savored and enjoyed.
~ Kimberly Eve, Victorian Musings
Don’t forget that, in honor of Anne’s bicentennial,
I’m running a giveaway contest!
Deadline to enter is January 31, 2020
Find out more …
© 2020 Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.
Celebrate Anne Brontë’s Bicentennial: Enter to Win!
2020 is the Bicentennial of Anne Brontë’s Birth!
This coming Friday is the actual 200th anniversary of her birth on January 17, 1820.
To mark this special occasion, I’m running two giveaway contests of Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit: one for those haven’t yet read the novel and one for those who have. The deadline to enter is January 31, 2020.
To be eligible to win a signed copy of Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit, please put you name in the comments to this post or the one on the novel’s Facebook page.
To be eligible to win the five illustrations as limited edition signed prints, please leave a recommendation on the Facebook Page of Without the Veil Between. (If instead or in addition, you post a review on Amazon and/Goodreads you will be eligible to also win a signed print of the novel’s back cover illustration of the Brontë Parsonage. In that case, let me know with a link to the review you have posted.)
Winners will be determined by random drawing.
Good Luck!
Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit – Bicentennial Book Trailer from Diane M Denton on Vimeo.
©Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.
Autumnal Sisterhood
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
~ Emily Brontë
Copyright 2014 by DM Denton
For Emily Brontë’s 201st Birthday: Something Besides Her Own Fortitude and Segregation
Today, July 30, 2019, marks the 201st anniversary of the birth of Emily Brontë. Last year’s bicentennial was, of course, awash in commemorations and celebrations at the Brontë Parsonage Museum in Haworth, West Yorkshire and elsewhere, including all over the internet. But, as I’m sure many others feel, Emily’s natal day should always be marked with enthusiasm and gratefulness, for it gave us one of the most uniquely fearless, impassioned, enigmatic, and elusive poets and novelists of all time.
Long after all the Brontë sisters had died, Charlotte’s friend Ellen Nussey wrote in Reminisces of Charlotte Brontë that “[Emily] and Anne were like twins – inseparable companions, and in the very closest sympathy, which never had any interruption.”
This closeness became more and more palpable as I progressed along the path of research and writing Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit.
Illustration by DM Denton from Without the Veil Between
Emily was as essential to Anne as Anne was to Emily, whether she and Anne were together at Haworth, on an excursion to York, or physically apart like when Emily was at school in Brussels or Anne was working as a governess. They invigorated each other’s imagination, offered a sense of belonging, and balanced each other’s strengths and weaknesses. The ethereal essence of their connection was enough to overcome their growing apart when it came to the fantasy writing that had bonded them as children and adolescents.
Emily never stopped being an imaginative and liberating influence on dutiful, devout Anne, a constant and protective best friend who by example more than precept reminded her youngest sister to leave at least some of her spirit unfettered and even encouraged her to now and then step out of life’s responsibilities and live a little wildly.
O come with me, thus ran the song,
The moon is bright in Autumn’s sky,
And thou hast toiled and laboured long
With aching head and weary eye.
~ From O Come With Me by Emily Brontë
Anne’s influence on Emily was less obvious, easier to view Emily as more akin to nature and mystery than real people, floating untethered in her own self-created, solitary, independent, irreligious orbit. For me, all of that remains true while, at the same time, I feel Emily was deeply attached to Anne: that she admired her level-headedness and faith-filled, forgiving, moralistic, yielding yet strong nature, and valued her opinion, especially creatively.
Anne was a safe haven where Emily could rely on something besides her own fortitude and segregation. Anne was someone who understood her and had no wish to change her.
There was profound understanding and acceptance, truth and endurance in the love each had for the other.
What better way to enjoy time with Emily again than by resuming their habit of wandering west to meet only earth and sky. Their dogs, like themselves, with contrasting physiques and personalities, were intrinsically similar, especially in their need to frequently escape the stuffiness and limited amusement of being indoors.
“Flossy, come back,” Anne tried to command the impulsive spaniel off once more to chase sheep.
Emily had no trouble getting Keeper to lie down with a firm annunciation of his name while she pointed to the ground, although his whimpering implied he was still thinking about following Flossy’s example.
“Flossy. Bad boy, bad boy.”
“If you control your little Robinsons like you do that sassy mutt, I fear they won’t live long.”
As if it heard Emily’s prediction, a large ewe turned on Flossy, which brought the dog running back up the steep slope to his forgiving mistress.
On second thought, Anne tried to be tougher with a disciplinary tap on Flossy’s nose, then embraced him again. “Good boy.”
“Methinks he’s exactly what you always wanted … to be.” Emily was walking again, her direction declaring her destination. Their ascent to Top Withens would be delayed an hour or more, if Emily’s mood was more for reclining and swirling her hand in the water to stir up tadpoles.
When Ellen Nussey was with them, from crossing the slabbed bridge over Sladen Beck to climbing a rugged bank, navigating greasy stones and not minding a little dampening, there was always an echo of “watch your step”. With just Anne and the dogs following her lead, Emily didn’t have anything to say until they were at the best seat in view of the waterfall.
“No, you take it, Annie. I relinquish my throne to you.”
“Any of the other stones would do for me.”
“I insist on taking care of you.”
Anne didn’t mind Emily acting more like an older brother than Branwell ever did, or even a gallant lover, reminiscent of childish acting-out. In truth, she depended on it. In that small oasis of time, standing still where they were hidden from the world, their faithful companions conspiring to find something to occupy themselves, there was so much to enjoy and be grateful for. The sky was open in sight of heaven, high ground around and beyond them, the sun warming and a breeze cooling, the sound of water calming, and faintly fragrant moss glistening on the rocks with tiny white stars appearing between some of them.
Yet, more as if she was on a stormy ocean than in a quiet cove, panic overwhelmed Anne until she could hardly breathe.
Emily lightly rubbed Anne’s back and twisted up a strand of her hair loosened from its simple arrangement.
Anne cleared her throat, choking, Flossy pawing at her knees, Keeper barking.
“Go ahead and spit.” Emily helped her sister lean over to do so. “Other than me, there’s only the dogs, flies, tadpoles and, perhaps, God to witness it.”
Anne laughed and spoke hoarsely, “What would I do without you?”
“Better than I have done without you.”
From Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit
When weary with the long day’s care,
And earthly change from pain to pain,
And lost and ready to despair,
Thy kind voice calls me back again:
Oh, my true friend! I am not lone,
While thou canst speak with such a tone!
~ From To Imagination by Emily Brontë
Continue reading
The Best Society, Our Little Society, the Safest Society
December 31, 1846, Haworth, West Yorkshire
No matter his fidgetiness, Anne experienced her usual pleasure in drawing because it calmed her and ordered her thoughts. She managed a decent depiction of Flossy before he left his window pose and the room. Setting her art box on the nightstand, she sat on the edge of the bed to use the sketching block on her lap, first draping the eiderdown over her legs and feet. Even fully dressed she was chilled to the bone. On the canvas Anne’s imagination and brush redesigned the window, adding a curtain hooked high to one side and a warmer outlook. Eventually Flossy returned to the room. Anne observed him stalking and scratching at overwintering bugs, rolling on the braid rug between the bed and the dresser, and briefly posing at the window again.
She spent the next hour on the painting, coloring in his darker curls and smooth cavalier face and the shadowing of his white underbelly.
“You’re right,” Anne said once the light and her impulse to be other than convalescing started to fail and Flossy had long since curled up on the bottom of the bed. “It can be finished another day.”
“And another year.” Emily entered the room with something wrapped in a serviette, tapping Flossy’s nose to let him know what she thought of his begging.
“It’s warm and smells sweet and of currants.” Anne accepted Emily’s gift. “You’ve made bannocks.”
“It’s New Year’s Eve, after all.”
“I haven’t even made an effort.”
“It appears you have.” Emily examined Anne’s painting without touching it. “A bold likeness.”
“Like trying to capture a fly.” Anne leaned over to stroke Flossy, who glanced at Emily sideways, his jowls slavering and a paw reaching up.
“You don’t fool me.” Emily folded her arms. “You’re more in love than frustrated with that little bugger of a mutt. Now, won’t you try the bannock?”
Anne unwrapped it in her lap, admiring it: a golden-brown, crusty hillock made of pastry and dried fruit that crumbled compactly as, not long out of the oven, it should. Finally, she broke off a piece.
“If you don’t smack your lips,” Emily winked, “how will I know you’re enjoying it?”
“Anne keeps us all wondering.” Charlotte was in the doorway. “Is the party up here? And with the best society, our little society.” She took a portion of what was left of the bannock. “The safest society.”
~ from Without the Veil Between, Anne Brontë: A Fine and Subtle Spirit
May 2019 bring good health, many blessings and joys to you and yours.
May it bring sanity, healing,
and an emphasis on love and compassion
for the entire world.
©Artwork and writing, unless otherwise indicated, are the property of Diane M Denton. Please request permission to reproduce or post elsewhere with a link back to bardessdmdenton. Thank you.
